So I watch a lot of television in my spare time. I DVR tons of shows each week. I watch shows on Netflix and Hulu. . . pretty much anywhere I can get my hands on the stuff. Well, I recently started and finished the British teen drama Skins in a matter of a week or so and it was good. Really good. My only other run ins with British television have been with The Vicar of Dibley (not very good in my opinion), The Office (brilliant!), and Extras (also brilliant). I randomly found Skins on Netflix and decided to try it out out of sheer boredom. From episode one, I was hooked. This show is reminiscent of American teen shows like The OC or 90210 but minus all the melodrama and plus loads of swearing, sex, and drug abuse.
Dodgey Brits
So I watch a lot of television in my spare time. I DVR tons of shows each week. I watch shows on Netflix and Hulu. . . pretty much anywhere I can get my hands on the stuff. Well, I recently started and finished the British teen drama Skins in a matter of a week or so and it was good. Really good. My only other run ins with British television have been with The Vicar of Dibley (not very good in my opinion), The Office (brilliant!), and Extras (also brilliant). I randomly found Skins on Netflix and decided to try it out out of sheer boredom. From episode one, I was hooked. This show is reminiscent of American teen shows like The OC or 90210 but minus all the melodrama and plus loads of swearing, sex, and drug abuse.
Concert. I actually went to this one.
Concerts. One of my few vices.
Their sound is kind of difficult to pin down. They have some of the dirtiest riffs I've heard in a long time. They like to pepper in random synth, which is always a plus in my book. They also have some of the sickest beats compared to any other rock group out. In short, they are awesome.
Here is a song off their 2009 album Let It Beep called 'War Bells':
Also, there is another concert in Atlanta tomorrow night that I am still debating whether to go to. I probably shouldn't go to this one and the concert tonight but it is another 10 dollar concert and those are very hard for a music addict like me to pass up. Surfer Blood, the band I will most likely end up seeing tomorrow, is playing at the Drunken Unicorn. They are another band that been stuck in my head for a few months now. They remind of an early Weezer, before they forgot how to write songs (Beverly Hills...really?). Their debut album Astro Coast came out in January and it has been in constant rotation on my iPod ever since.
This is the music video for their first single of their debut entitled 'Swim':
Surfer Blood "Swim" from Neue Films on Vimeo.
Warning: This video is a little weird, but I kinda think it fits the song.
A Single Man
Okay, so I'm not sure how well this will go over seeing as how this was kind of an assignment for last week's class, but I still want to dedicate this post to discussing Tom Ford's A Single Man (I went and saw both A Single Man and An Education last week so I decided to discuss one in a blog post and submit the other one over the listserv). I saw this movie sometime last week and I can't seem to get it out of my head. I will probably go see it again this week if some time frees up for me.
First and foremost, Colin Firth is fantastic. Who knew that the British "rom-com" star could actually act? His performance as George, a mourning English professor in 1960's, is probably the best performance from any film last year (for me it's a tossup between Firth and Michael Stuhlbarg in the Coen brothers' similarly titled A Serious Man). George is mourning the loss of his partner Jim, played by Matthew Goode, who died in a car accident 8 months before the film takes place. George is so distraught over the loss of Jim that has decided to commit suicide on the day in which the entire film actually takes place. He sets all of his affairs in order: he empties out his safety deposit box, sets out the suit he wants to be buried in, has a last dinner with his longtime friend and ex-lover Charley (played by Julianne Moore), and he teaches his final English class on Aldous Huxley. But as his day progresses, he ends up having little epiphanies that make him second guess his decision to kill himself, an act that he ultimately decides against at movie's end.
Firth's portrayal of George is filled with nuances that makes the viewer wonder who or what he was channeling for such an inspired performance. The supporting characters also do a good job, but this is clearly Firth's film.
The other characteristic of this film that made it standout for me was its superb editing. I have only seen a few movies (Steven Soderbergh's The Limey, for one) that have even made me notice the editing to the extent that I actually have something to say about it. Most films are edited to simply further the plot, but editing in this film was a great mechanism to pace this emotionally dense film. One particular scene that stuck with me was a flashback from when George first found out about Jim's death. After realizing what has happened he runs over to Charley's house, sobbing in the rain. The camera shifts to a POV from George as he falls to the ground outside of Charley's house. The audio track of him crying and Charley trying to console him is off (the images don't match up with the audio). This scene was too perfect.
I know that many of the students probably went to see only one of the two movies assigned, but if you didn't go see A Single Man I highly recommend doing so (I honestly thought it was much better than An Education).
Red Dress. Strappy Choes.
So I have a confession to make. I have somewhat of an obsession…a Penélope Cruz obsession. This obsession is recent, but she has quickly become one of my favorite actresses.
I have been aware of Penélope for a while now, but I had never been that impressed with her. Sure, she is gorgeous and all but I hadn’t ever seen her in anything that I would call “great” until this past year.
I had seen her in terrible movies like Sahara and Bandidas (and yes…I did actually see Bandidas), but I had no clue that there was a real actress behind that lovely face of hers. I had also seen her in Vanilla Sky, which as a film overall was okay, but her role as Sofia was convincing enough to make me not write her off completely. The real appeal of her in this movie in my opinion is her pronunciation of lines like “Red dress. Strappy shoes.” The delivery of her lines with her Spanish accent was endearing, at least to my ears.
My first taste of Penélope actually owning a movie was Pedro Almodóvar’s film Volver. At the time I had not heard anything about Almodóvar or his movies, but this film made me sit up and notice both him for his distinct style as a director and Penélope for her actual talent as a gifted actress.
After seeing her act so well in her native tongue, I wanted to see more so I then saw her in Woody Allen’s Vicky Cristina Barcelona. She played a smaller role in this film than in Volver but her screen presence was still as powerful as it was in that film. She played Lena, a psychopathic ex-girlfriend and managed to make it believable and relatable at the same time. This was another role that was primarily in Spanish (with a little English peppered in) so she was in her element. She was so fantastic in fact that it earned her an Academy Award for Best Support Actress.
The most recent movie of hers that I have seen is another Almodóvar picture called Broken Embraces. She once again was able to impress me with her portrayal of Lena, a woman who is caught in a love triangle with two men who would do anything to be with her. The story itself in this film is weaker than the previously mentioned Almodóvar film, but that takes nothing away from her performance. This is perhaps the best that I have seen her.
So I am eager to see more of her work. I have just rented a few more Almodóvar movies that she is in in hopes that she continues impressing me with her performances. Penélope Cruz is a beauty and a talent, a most lethal combination.